Kindercomics online dating
I was pretty good, to be frank with you, but against five guys…you know, it didn’t really faze me.
I’d say, “What happens to this guy while Cap fights the other four?
” And I told him I know a gangster when I see one, see?
GROTH: What was your relationship with your parents like? “Where does a young squirt like you,” he says, “get the nerve to do an editorial cartoon on Chamberlain and Hitler? So comics is an American form of art that anyone can do with a pencil and paper. GROTH: Don’t you think you achieved a sort of perfection in your own work? I achieved perfection, my type of perfection — visual storytelling. I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is now universal.
GROTH: What kind of recreational activities did you engage in as a kid?
KIRBY: It stays inside you, somehow, and it always has its uses.
GROTH: Let’s talk about how you learned to draw, I understand that at age 11, you began getting how-to-draw books at a local library and started —KIRBY: Yes I did. I was drawing editorial cartoons for the syndicate, and I drew a thing called “Your Health Comes First.” I was called in once for drawing an editorial cartoon when Chamberlain made that pact with Hitler. I thought comics was a common form of art and strictly American in my estimation because America was the home of the common man, and show me the common man that can’t do a comic. It’s not a formal art, I feel a fine artist is never through with his work because it’s never perfect to him.
A dubious contribution to the American comic book, you may think, until you realized that it wasn’t Kirby’s fault that hacks and no talents, aided and abetted by opportunistic publishers, have been ripping off his work and plagiarizing him wholesale for decades. I knew that there was something better, and instinct told me that it was uptown, and I’d walk every day from my block to 42nd Street where the the Hearst newspapers. My boss was playing golf [in the office], and he was shooting golf balls through an upturned telephone book, see? And he’d pull me out from under this pile, and he’d whale in to them. I knew the real ones, and the real ones were out for big money. I’d see politicians who were supposed to be on opposite sides of issues all together at one table. They became the cops and the crooks, and the crooks became the gangsters. GROTH: Were crooked politicians and gangsters looked on with disfavor? He was about 6’ 1”, very broad kid, and when I came out of school, I’d be jumped by all these guys, and he’d see my feet sticking out of this pile and dive in. Gangsters weren’t the stereotypes you see in the movies. I’d see them in these restaurants, and they’d all hold these conferences. KIRBY: I was a good student in the subjects that I wanted to be good in. So I pick up this pulp magazine, and it’s and it’s got a rocket-ship on the cover, and I’d never seen a rocket-ship. ” I took it home and hid it under the pillow so nobody should know I was reading it. KIRBY: I taught myself how to draw, and I soon found out it was what I really wanted to do. GROTH: What artists did you admire in your teen years? I admired anybody who could make a buck with his drawing.
GROTH; Now, can you tell me what your family life was like? It was a rainy day, and it was floating toward the sewer in the gutter. GROTH: So, after Pratt you taught yourself how to draw. I’m trying to find out how you actually learned to draw, how you learned anatomy. Some artists may take it from other illustrations or duplicate what you’ve drawn, but it will never have that gut reality that’s instinctive in the artist. Out of a class of 27, just me and another fellow graduated. GROTH: Now, what do you mean by a “climb-out fight”? You fight on the roof, and you fight all the way down again.